BEN JONSON
BEN JONSON
Early Life and Career
Ben Jonson was born in London.
His father died before he was born, and his stepfather was a bricklayer. Jonson
was educated at Westminster School where he learned Latin and classical
literature. He did not go to university but gained deep knowledge through
self-study. He briefly worked as a soldier in Flanders before returning to
London to act and write for the stage. His first major success was the play Every
Man in His Humour (1598). It was performed by Shakespeare’s acting company,
and it made Jonson a well-known name in the theatre world. Over the years, he
became a leading figure in London’s literary circles. He was known for his
strong opinions and literary quarrels. Despite his pride and sometimes
difficult nature, he was respected as a man of learning and talent.
Major Comedies
Ben Jonson is most famous for his
comedies of humours, a form he developed to show how characters are
ruled by a single trait or obsession. His best-known comedies include Every
Man in His Humour, Volpone, The Alchemist, and Bartholomew
Fair. In Volpone (1606), he presents a greedy old man who pretends
to be dying to cheat others. The play exposes greed and hypocrisy. The
Alchemist (1610) is about tricksters who use false science to fool people
and steal their money. It is a sharp satire on gullibility and corruption. Bartholomew
Fair (1614) mixes comedy with a broad social picture of London life. These
plays combine clever plots with deep moral insight. Jonson’s characters often
represent types rather than individuals, and he uses their actions to teach
lessons.
Tragedy and Masques
Although Jonson is known for his
comedies, he also wrote a tragedy called Sejanus His Fall and another
titled Catiline His Conspiracy. These plays are based on Roman history
and follow classical rules. They are serious, formal, and full of speeches, but
they were not as successful as his comedies. Jonson also became famous for
writing masques, a type of court entertainment that included music,
dance, and poetic dialogue. He worked with the architect and designer Inigo
Jones to create grand performances for the court of King James I. His
masques such as The Masque of Blackness and Hymenaei praised the
king and celebrated royal power. These works showed his classical training and
helped make him a favourite at the royal court.
Literary Theory and Criticism
Ben Jonson was not just a
playwright; he was also a literary critic. He believed that writing should
follow rules and serve a higher purpose. He admired ancient Roman writers like
Horace and Cicero. He wanted drama to teach moral lessons and to reflect the
order of nature. He rejected cheap humour and unrealistic plots. In the preface
to his play Volpone, he explained that comedy should correct the vices
of society through laughter. He also believed in poetic justice, where good is
rewarded and evil is punished. His approach was different from Shakespeare’s,
who focused more on emotion and imagination. Jonson’s idea of drama was based
on reason, control, and learning. He once said, “A good poet must be made, not
born,” showing his belief in craft and discipline.
Poetry and Prose
Jonson was also a gifted poet.
His poems are full of balance, clarity, and thought. In poems like On My
First Son and On My First Daughter, he expressed personal grief with
deep feeling. He also wrote many epigrams—short, witty poems that express sharp
ideas in a few lines. His poem Drink to Me Only with Thine Eyes is still
well-known for its gentle romantic tone. In prose, he wrote Timber, or
Discoveries, a collection of notes on literature, language, and life. These
writings show his careful thought, moral seriousness, and love of classical
learning. His poetry is less emotional than Shakespeare’s but more controlled
and thoughtful. He gave English poetry a new form of elegance and intelligence.
Rivalry and Influence
Ben Jonson had a complex
relationship with William Shakespeare. Though they worked in the same period,
their styles were very different. Jonson respected Shakespeare’s talent but
also criticised his lack of classical discipline. He once joked that Shakespeare
had “small Latin and less Greek.” However, after Shakespeare’s death, Jonson
praised him highly in a poem in the First Folio, calling him “not of an age but
for all time.” Jonson had many literary rivals, and he was known for his pride
and sharp tongue. Yet, he had many followers too. A group of young poets known
as the Sons of Ben admired his style and ideas. His influence continued
in later periods, especially during the Restoration and the Neoclassical Age.
Legacy and Reputation
Ben Jonson’s legacy in English
literature is strong and lasting. He was the first English writer to be given
the title Poet Laureate, though unofficially. He was also the first to
publish his plays in a collected edition called The Works of Ben Jonson
in 1616, claiming a status equal to poets and scholars. His comedies shaped the
tradition of satirical and realistic drama. His critical views
influenced later writers and literary theory. He showed that drama could be a
tool for social correction and moral teaching. His attention to form, order,
and purpose made him a model for many writers. Though Shakespeare is more famous
today, Jonson’s work remains respected for its intelligence, structure, and
wit.
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